We went to visit the Kondo Hakkaku Tōrō at Tōdai ji which was quite something to see. The day was a bit wet with on and off light rain showers.


The Kondo Hakkaku Kondo Tōrō is located in front of the Great Buddha Hall. The ancient octagonal bronze lantern dates back to the 8th century, making it over 1,250 years old. It was created during the founding era of Tōdai-ji, around the same time as the temple.

We went inside the temple and the Great Buddha of Nara (Daibutsu), loomed in front of us. It is one of the largest bronze Buddha statues in the world.

The Buddha rises about 15 meters (49 feet) tall, weighs roughly 500 tons, and sits within the huge Great Buddha Hall.

The photos don’t reflect the scale. The Buddha’s sheer size of the statue makes you feel small.

We walked around the temple looking at the Buddha and other buddha idols from different angles.


Outside of the temple is a small wooden Buddha and it was being touched by some of the visitors. We went over to check it out.

The wooden buddha is called the Pindola and he was one of the disciples of Buddha. It is believed in Japan that when you rub a part of wooden Pindola and then rub the same part on you. That injured or troubled area of your own body will bring healing. So of course Ray had to try it.
Ray’s knee has never felt better since.
時は矢のごとく過ぎ去る。






















We were given a presentation by a dynamic and interesting Drummer who explained how they are made. The drums we learned about are known as “taiko,” and they are deeply rooted in Japanese culture and craftsmanship. 






We explored several of the structures which had specific purposes of the temple.

The structures were very detailed and quite interesting to see. We came across the Buda and other statues of the temple.

There was a traditional marriage ceremony happening while we were there. It was quite interesting to watch as the bride and groom where pulled through the temple walkway in the carriage wearing the traditional clothing.
Our guide explained to us how the white headpiece of the bride is called a tsunokakushi, which literally means “horn-hiding.” According to tradition and folklore, this head covering is meant to conceal the bride’s metaphorical “horns,” representing feelings like jealousy or ego. Which may come out later in the marriage.

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